SoulCollage® – Council Suit – Old Programming

SoulCollage® – Council Suit – Old Programming

SoulCollage® – Council Suit – Old Programming

OldProgramming I am the code that holds the old forms in place

I am the programming of greed and mistrust

I am the paradigm of us and them

I am the energy of fear

I am the one who keeps you hardwired into old programs and patterns

I am the one who ties you into lock step with the status quo

I am the one who keeps you bound to custom, habit, social expectation, tribalism and patriarchy

I am the one who keeps you sleepwalking, robotic and unconscious

I am the one who blinds you to possibility

I am the one who desperately hangs on to decaying structures

I am the infrastructure that collapses from within

I am the one who does not know my time has passed

I am shattering, fragmenting into pixels and particles, dissolving into the matrix to evolve, recycle and reassemble at a higher level

Bloom as only YOU can Bloom!

The art prompt in the online art class I’m taking was to find a famous still life and paint your own copy of it, then play with digitizing and embellishing your painting.

Okay. Time for the Inner Critic to show up big time.

First, the voice tried to convince me that I don’t even like still life paintings as I spent hour upon hour browsing through the still life works of the masters (Cezanne, Degas, Picasso, Van Gogh, etc, ad nauseam).

What the voice was REALLY saying, though, was something along the lines of, “That one’s too hard. You’ll never manage all that detail. Find something simpler. Good luck! You’ll never be good at this. You can’t paint,” etc, ad nauseam.

When the really cool thing about this project is that whether or not the painting itself turns out amazing, you can completely transform it through all these fabulous ipad apps with filters and glazes and painterly textures. Now THAT is right up my digital alley!

So, I told the Inner Critic to take a hike. I picked a very modern abstract still life . . .

monestier-autumn-blooms-2
Monestier’s Autumn Blooms II – the original painting I chose to copy

and I did my best to paint it . . .

AutumnBloomsIIPainting
My version of Autumn Blooms – acrylic on gesso board.

Not fabulous, but not horrible. A kind of weird mix of abstract hard lines with a more impressionistic rendering of the flowers – certainly not the beautiful abstract crispness of the original art. But all in all, not bad. Now for the fun part . . . I scanned it in and got it loaded on my iPad for some digital play. Kept a number of iterations, but here’s the one I continued on with – a watercolor and ink version rendered through the Waterlogue app.

Painted in Waterlogue
Painting watercolorized through Waterlogue app with “Fashionable” filter.

I liked the way this was softened – it took on a nice glow. The black “ink” lines gave it a funky cool look, too. So, I printed this version out (on matte photo paper) and did a little embellishing with Caran D’Ache Neocolor II watercolor crayons and Prismacolor paint pens.

PrintedAndEmbellishedWaterlogueFashionable
Printed on matte photo paper and embellished with pens and watercolor crayon

Now, that washed out blank area to the bottom right was just begging for a caption, so one more time into the scanner for some final text editing in Photoshop. There are iPhone and iPad apps that can add text, like Over, but I’m more familiar with the options in Photoshop and I have tons of fonts there already.

EmbellishedWaterlogueFashionableWithText
The final piece, with caption.

So here’s the final piece: “Bloom as only you can bloom!”

I’m trying to do just that . . . by learning new tools and techniques, asking my Inner Critic to be quiet while I play, not worrying too much about results, trying lots of different possibilities and, finally, creating something uniquely my own.